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Ol’ Raymond

I never knew why we tacked the first part on. He surely was not old. I suppose it was a title of affection or endearment.

Ol’ Raymond was a red-bone coon hound and a credit to his breed. He was a big dog. I’m sure he seemed big to me because I was so small. But the pictures verify his size. Judging from the size of Gene, my brother, I was somewhere between three and four years old. In one, I am standing at his shoulder and Gene sits astride him like he’s riding a horse. The dog and I are about the same height. In another, he carries both of us on his back with ease. As I said, he was a big dog.

He was an outside dog. In that time and place, no one kept a dog in the house. He generally slept on one of the porches in warm weather. In the winter, he would scratch himself out a depression under the house on the south side of the chimney base and use the warm bricks for heat.

Ol’ Raymond was a very protective dog. As I roamed about the farm, I knew that I had nothing to fear from anything or anybody as long as he was with me. In fact, he was the protector of the whole family. My daddy was sharecropping a new-ground farm in the western part of the Delta toward the River. After crops were laid by and during the winter, he was away from home a lot doing carpentry work. We had an unpainted picket fence around the yard and I heard my mama say on more than one occasion, “No, we’re not afraid to be here by ourselves. Ol’ Raymond won’t let anyone inside that fence when Luke’s gone.” Ironically it was this protectiveness that would prove to be his undoing.

My daddy hunted a lot to put meat on the table. He also ran a trap line trapping mostly mink and raccoon for their pelts. I’m sure the skins didn’t bring much by today’s standards, but in the mid ’30s, any extra income was a bonus. There were usually several skins drying on stretcher boards out by the smokehouse.

He also went coon hunting at night with other men who had coon dogs. They would always come back with coons, but this type hunting was mostly for sport. This was where Ol’ Raymond really proved his mettle. Men would come from miles around to run their dogs with him, and I never tired of hearing the stories my daddy told about his prowess in the hunt. My favorite was his confrontation with Pegleg.

Pegleg was a big boar coon who ranged around the nearby bayous. He’d been trailed but never treed, seen but never caught. He got his name because of a missing paw. That leg ended in a stump which left a very distinctive track in the soft, swampy ground. My daddy theorized that the missing paw was chewed off by the coon himself when he got caught in a trap and could free himself no other way. Coons were known to do that.

Anyway, by this time Pegleg was old and grizzled and smart. He knew how to avoid traps and he also knew any number of ways to throw off a pack of dogs who were hot on his trail. Sometimes he would backtrack on his trail and go off in another direction through the trees leaving no scent on the ground. Or he would swim down a creek or crisscross a creek several times to cause the dogs to lose his trail in the water. As a result, Pegleg had never been treed.

One night the men turned the dogs loose and they struck a hot trail immediately. They ran almost in a circle and soon their trailing bark changed to one that told the men that they had their quarry at bay very close by. The hunters hurried toward the sound and came to the bank of a large bayou. The coon’s tracks showed the missing paw. It was Pegleg. Only he wasn’t up a tree. He was too smart for that. The dogs had apparently picked up his trail very close to him and pushed him so hard that he had no opportunity to use any of his tricks. But the old coon wasn’t giving up by any means. The light from the carbide headlamps reflected off his eyes as he sat on a log out in deep water waiting. The other dogs stood on the bank barking. Ol’ Raymond was swimming out to get the coon.
Now, the last place a dog wants to confront a coon is in water. A coon will usually wrap himself around the dog’s head, forcing it under the water while keeping his own above the surface. In a very few minutes a big coon could drown a dog or whip him so badly that he would leave the fray.

Of course, my daddy had a gun and could have shot the coon, but the dog had brought him to bay and the sporting thing was to allow the dog to try to finish the job even if he got killed in the process.

But Ol’ Raymond had fought coons in water before and come out the winner. Instead of trying to hold his head up when the coon climbed aboard, he would do the opposite and push the coon under water, causing him to release his hold to get to the surface. After two or three repetitions of this, Ol’ Raymond would get the coon worn down and get his jaws on the coon’s neck, ending the fight. But this was not just any coon.

Sure enough, when Ol’ Raymond got to the log, Pegleg attacked. He jumped on the dog’s head and began biting him about the ears and neck. Ol’ Raymond rolled him under and broke the hold. They surfaced and the process was repeated and then repeated again, and again, and again, until my daddy lost count. He confessed that at that point he was wishing he’d shot the coon, but it was too late for that. The two combatants were throwing up so much spray and foam from the murky water and were so closely intertwined that a shot would just as likely hit the dog as the coon. The fight was both furious and long–longer than any fight like this these men had ever seen. Suddenly, the coon let out a squeal that told them that Ol’ Raymond had the coon in his jaws and the fight was over. He tried to drag Pegleg to the bank but was so exhausted that the men had to wade out and help him. The men vowed that they had never seen such a fight in all their years of coon hunting and Ol’ Raymond’s fame spread even farther. The tear in his ear and the cuts on his face and head would heal and be worn as proudly as a dueling scar–the marks of a coon dog who had fought and won.

 

A friend recommended this book and I was pleasantly surprised

This is a well-written intrigue/action novel with military suspense, political intrigue, and an interesting plot about the good guys fighting to stop a state based Islamic terrorist conspiracy aimed at attacking the Greek government and armed forces as well as US forces in Europe. The characters are well developed, the plot is riddled with subplots as various groups vie for position, and the military aspects of the story are fascinating. This book will keep you on the edge of your seat throughout the entire story. I am looking forward to the sequel which is supposed to be out shortly. This book is a great read for someone who likes the Tom Clancy genre of books who wants to find an additional author. I am planning on purchasing several copies to give as gifts for the upcoming holidays.

 

Glamour, Gidgets and the Girl Next Door: Television’s Iconic Women

Glamour Gidgets and the Girl Next Door

Glamour, Gidgets, and the Girl Next Door is the latest creation from entertainment biographer and pop culture consultant Herbie J Pilato. Based on exclusive celebrity interviews, Glamour, Gidgets, and the Girl Next Door book runs the gamut of female television legends, from the iconic Mary Tyler Moore to the stars of the original Charlie’s Angels.

Donna Douglas is an honest-to-goodness Southern Belle who displayed a heart-breaking natural beauty in playing her most famous TV role as the hot, hollering, rope-wearing, whistle-happy, and critter-cuddling Elly May Clampett on the hit CBS TV classic, The Beverly Hillbillies, a country comedy which originally aired from 1963 to 1971.

“Donna Douglas as Elly May was just beautiful. You just loved her…and loved everything she said…whether it was to Jethro (Max Baer), Uncle Jed (Buddy Ebsen), or Granny (Irene Ryan). She didn’t overplay the part. She played Elly May like she was indeed Elly May. Her body was gorgeous – and when she wore those clothes…she wore them realistically…and gave the impression as if she really did come from the hills…but country living. She just looked natural in the role…she looked innocent and sweet and you wanted to know her. And everyone always remembers Elly May. And it’s important to remember that anytime there was a similar female look in a movie like Smokey and the Bandit – and even in a TV show like The Dukes of Hazzard, there were all trying to copy Elly May…the daisy dukes short-shorts, etc. Donna Douglas created a look with Elly May that many tried to recreate over the years but were never able to do it”

Without a doubt, Douglas as Elly May became one of the first female blond icons in TV history, shortly after Joan Sothern on her same-named series (CBS, 1958 -1961), and just prior to Elizabeth Montgomery’s first twitch on Bewitched (which debuted on ABC, September 17, 1964) and Barbara Eden’s initial blink on I Dream of Jeannie (NBC, September 1965), and a decade or so before Farrah Fawcett on Charlie’s Angels (ABC, Fall 1976) and Suzanne Somers in Three’s Company (ABC, January 1977).

Born and raised in Pride, Louisiana (today a Baton Rouge suburb, then timberland) and, after graduating from the local high school (now known as Redemption High), Donna went on to win, unsurprisingly, more than a few beauty contests. She also pursued a cross-country acting career from New York to Los Angeles, making several sexy TV guest appearances on shows like Dr. Kildare, 77 Sunset Strip, Route 66, Surfside 6, The Defenders, and more.

A particularly memorable and non-Hillbillies, stand-out performance was her quite visual take as the conflicted Janet Tyler in “Eye of the Beholder,” a fan-favorite segment of Rod Serling’s The Twilight Zone (CBS, 1959-64).

In “Eye,” which originally aired November 11, 1960, Donna’s Tyler lived in some future time – on some Earth-like planet where, upon first we meet her, she’s already undergone several experimental surgeries to alter her looks, enough so to fit in with society. The story twist, a Zone benchmark was that, to us – the viewer – her appearance was more than acceptable. In fact, she was exceptional looking. But not to her fellow citizens, whose faces were presented as pig-like (with make-up designed by John Chambers who, in 1968, won an Oscar for the similarly-designed facial applications on display in Planet of the Apes, the script for which Zone’s Serling had adapted from the novel by Pierre Boulle).

Douglas brought a specific sincerity to every role, including the Twilight performance as Tyler. Although she did not speak a line of dialogue in the Zone segment (Tyler’s voice was provided by Maxine Stuart when the character’s face was fully bandaged), once unmasked, Donna’s eyes delivered varied forms of expression. It remains an appearance that’s garnered quite a following over the years. “People ask me about Janet all the time,” she says. “Rod Sterling was a dear man, and I enjoyed working on that show. It was really my first only dramatic part, and it was rather easy.” Ironically combining her real-life slang with that of Elly May’s, Donna concludes of playing Janet Tyler, “She was just so disappointed in how she looked. She just wanted to be the same as everyone else – and we all feel that from time to time, I reckon.”

“I’m amazed at the huge following with The Twilight Zone. People bring photos and masks to [sci-fi/classic TV] conventions. They dress up as the characters. After all these years, it’s something else.”

Soon after “Eye” aired, Douglas won the role of Elly May on Hillbillies, and her female TV icon status was born – years after her own actual birth – into a real life which, in more ways than one, mirrored Elly’s fictional existence. Douglas explains:

“Elly just had a good sense of family, knew right from wrong, she had the same upbringing that I did, back then you had respect for your parents, elders, community, We had the same values, morals, and love of critters. They are like children, they can sense whether a person is sincere, they are a good judge of character!

We lived so far out in the country, back of a dirt road; my mom would place me and my brother in a horse and take us to our grandparents that way. Eventually, we moved into town, Baton Rouge, where I graduated high school. I was the only girl in my family, an older brother and all male cousins, so I grew up a tomboy, swinging from vines, swimming and playing softball, I was getting ready for Jethro (as played by Max Baer on Beverly) long before we ever met!”

As to Donna’s response to being named an icon, she says:

“That’s a funny word to use on oneself. I never had any desire to be an actress, just a wife and perhaps a mother; those were my thoughts growing up. I only had a pinch of modeling back home prior to leaving for New York. Once there, I slowly built up my portfolio book with photos; got a job here, a job there…illustration modeling, products. I knew I didn’t want to be a fashion model.”

 

Authors Book Beat offers free e-book from TotalRecall Press

Authors Book Beat (ABB), a website for authors, is offering a free e-book from TotalRecall Press to all who sign up with ABB.

 

Mothers of the Earth

Mothers of the Earth

Mothers of the Earth

A woman standing strong
working hard all day long
feet hurts between her toes
dust cloudy all in her nose
she keeps on trucking to make it through
She a woman what else can she do
Kids to feed at home
She is a queen on her throne
NO Kings by her side
just this strong woman/mother and her pride
Teaching the children all she can
trying her best to make them understand
The world is a cold hard place
it is a battle, some kind of race
but never let it consume you
rise to every obstacle
embrace the pain as a lesson
look at each failure as a win
learn from within
is what a Queen teaches her children
After a long hard day
slaving away
working hard to make a better life for her kids
not worrying about how she lives
As long as her kids are strong
and don’t end up having to work all day long
singing that sad ole song
her dreams are for her babies to belong
A Queen works hard her whole life
when she should be someones wife
she makes the bread
then make sure her kids are fed
she hardly sleeps
complains not a peep
holds her emotions inside where they belong
because she a woman standing strong
Standing on her powerful feet she pushes off from her toes
And with every powerful moves she makes, she exhales threw her nose
Smiling all the while, “that’s GOD” I suppose
As she continued to pollinate like a rose!

QueenAmina (c) 2015

 

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They Don’t Know Invisibility

Local author Karen Ford seeks more voices to represent the black community.

 

Writer/Producer Herbie J Pilato forms Classic TV Nonprofit Organization

According to Founder and Executive Director Herbie J Pilato, The Classic TV Preservation Society, or CTVPS, is “a nonprofit organization dedicated to the positive influence of classic television programming.”

Pilato, the author of several critically acclaimed TV literary companion books, explains: “There are physicians around the world who entered the medical field because of Marcus Welby, M.D. …. there are attorneys who were inspired by Perry Mason. Family members have learned to better communicate through the years because of shows like Father Knows Best, The Brady Bunch and The Waltons. Prosthetic limb construction was advanced because various scientists were inspired in their youth by watching The Six Million Dollar Man. Much of present technology…everything from smart phones to iPads have been influenced by Star Trek.”

While the CTVPS celebrates the importance of nostalgic TV series and their stars, its core function are the Classic TV & Self-Esteem Seminars that it presents to schools, colleges, community, senior and business centers around the country. “Meeting with the people…the viewers of these shows, whatever they’re age…that’s what the CTVPS is all about,” says Pilato. “Talking with them and honoring how their lives and careers have been enlightened and many times validated because of their favorite classic TV show. It’s really a beautiful thing.”

In effect, “The CTVPS caters to our culture with care,” Pilato adds. “We treat individuals, families and all organizations with respect – and value the diverse perspective that each brings to the world. With our unique Classic TV & Self-Esteem Seminars we help to close the gap between popular culture and education. We anticipate the challenges of the modern media age and continue to develop new and innovative ways to inspire positive family values for every generation. The CTVPS is here to embrace, document and help spread the word that classic television is an untapped resource for education; to prove that classic TV shows in particular are not only entertaining, but informative, socially significant and psychologically nutritious.

The CTVPS Mission Statement says it all: The purpose of The Classic TV Preservation Society is to educate individuals, community, arts/media, business and academic organizations and institutions on the social significance and positive influence of classic television programming, with specific regard to family values, diversity in the work place, and mutual respect for all people of every cultural background and heritage, race and creed.

The CTVPS Board of Directors is equally impressive: Actresses Kathy Garver (Family Affair) and Lydia Cornell (Too Close For Comfort), disabled actors advocate Vince Staskel, Dr. James J. Kolb (of Hofstra University), world peace advocate/performance artist Thomas Warfield, and Ed Spielman (creator of the ground-breaking TV show, Kung Fu).

 

When a drug developed in a lab at U of I is discovered to leave recipients with powered to affect

When a drug developed in a lab at U of I is discovered to leave recipients with powered to affect the mind and behavior of others, a race to end the madness ensues.

I enjoyed it a lot. Good, engaging plot with surprising twists and characters I cared about. Takes place in places I know, so it felt like I could have been part of the book.

 

Ritual

Ritual

Ritual

So many thousands of times
I’ve filled the kettle with water

365 days 1,460 times a year
x 4 times a day x 50 adult years
_____________ _______________
1,460 times a year 73,000

All those times I’ve filled the kettle,
tugged the lid off the tea canister, and
laid a teabag in one of many mugs that display
a napping cat, a toothy smile, or a sailboat
tacking off the coast of Puerto Rico.

This remembering is all I own
as hot water flows into a mug
over faces dark with steeping.

 

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